Paul Polot is a Motion Graphic professional specializing in VFX Compositing and 3D Animation and Modeling.
He started his career back in 2015, working on American Projects throughout his cooperation with Yafka Greece. His advertising and post-production portfolio presents impressive projects from significant international and national customers, brands, producers, and directors. In 2018 he started working as a Post Production Manager in Frank and Fame in Athens. He has worked with significant agents and producers around the world.
Nowadays, Paul Polot manages his team with seven professionals around the globe specializing in all aspects of advertising and post productions for Europe and USA, offering all the latest technology and know-how in the motion graphics industry. In 2022 the operations moved to Larnaca, Cyprus.
Motion graphics (sometimes mograph) are pieces of animation or digital footage which create the illusion of motion or rotation and are usually combined with audio for use in multimedia projects. Motion graphics are usually displayed via electronic technology. Also can be displayed via manual powered technology (e.g. thaumatrope, phenakistoscope, stroboscope, zoetrope, praxinoscope, flip book).
The term distinguishes static graphics from those with a transforming appearance over time without over-specifying the form. While experimental or abstract animation can be called motion graphics, the term typically more explicitly refers to the commercial application of animation and effects to video, film, TV, and interactive applications.
Motion graphics are an excellent way to communicate with the viewer, and they can add depth to the story. Also, it can give us a message through music and compelling copy together; they use it to create ads, television title sequences, explain a concept, and share a product video that helps to communicate their message.
Post-production is part of the process of filmmaking, video production, music and photography. Post-production includes all stages of production occurring after shooting or recording individual program segments. Traditional (analog) post-production has mostly been replaced by video editing that operates on a non-linear editing (NLE) system.
VFX Compositing is the process or technique of combining visual elements from separate sources into single images, often to create the illusion that all those elements are parts of the same scene. Live-action shooting for compositing is variously called “chroma key” “blue screen”, “green screen” and other names. Today, most, though not all, compositing is achieved through digital image manipulation. Pre-digital composting techniques, however, go back as far as the trick films of George Melies in the late 19th century, and some are still in use.
3D modeling is the process by which a mathematical representation of any three-dimensional surface of inanimate or inanimate objects is developed through specialized software, producing a 3D model. Is interconnected with various geometric entities such as triangles, straight segments, curves, etc. Models can be created either manually or by algorithmic procedures (procedural modeling) or by scanning (model scanning).
3d or Computer animation is the process used for digitally generating animated images. The more general term computer-generated imagery (CGI) encompasses both static scenes and dynamic images, while computer animation only refers to moving images. Modern computer animation usually uses 3D computer graphics to generate a three-dimensional picture. Sometimes, the target of the animation is the computer itself, but sometimes film as well.
Colourists contribute to the mood and look of a film by defining its colours. They work with the director and director of photography to decide the palette; whether it’s restrained or hyper-coloured, whether it uses milky colours or primary ones. Colourists are able to contribute to these looks by changing the luminance levels (brightness) and chroma (colour).
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